Serge Sonic Comparisons #1

While working with my Serge on a pretty cool bassline groove, I became curious to see what this particular patch would sound like on other synthesizers. And that reminded me that I've occasionally seen forum posts from people asking what the Serge sounds like compared to other synths (modular synths in particular). So, thought I, what a public service it would be if I could successfully demonstrate this patch on a few other common synths.

So I ran a whole bunch of cables to my patch bay so that I could route things from the Serge to a few other synths. My objective was to use only one oscillator for the sound source in each case, since that's all the Serge was using. And I wanted to keep the patching for each synth restricted to that synth as much as possible so as not to color the results. I had to cheat in a couple places since I only have so many delays available to me. And I had to borrow filters here and there, but in the latter case I only borrowed filters that were part of the same family as the synth I was working on. And finally, I wanted the Serge to control (or at least direct) the modulations on those other synths so that the sense of movement would match the sound of the Serge patch as closely as possible.

A couple things surprised me while attempting to do this. First, I was surprised at how easily I could get the core sound of the patch to sound right on other synths. It was the nuances that were trickiest to dial in, and I feel like the Dotcom came the closest overall. Secondly, I was surprised at how many filters it took on each of the other synths to emulate what the Serge was producing with only a VCFQ and the built-in filter on the Wilson Analog Delay.

But perhaps the reverse would be true if I had a great patch on another synth that I wanted to replicate with the Serge...

In any case, each time I came back to the Serge in all of my A/B'ing of sounds, I was really pleased with how singular it sounded compared to the others. And I don't think it's just this particular patch: the Serge is truly a special kind of beast.

Detailed info pages for STS Serge modules

Much of the information presented here has been migrated from the "Serge Modular Spreadsheet" that I put together several years ago, and which continues to be hosted on James Maier's Carbon111's Serge Modular Index. 

I originally assembled that spreadsheet while researching the Serge to get my head around the various things it could do. After purchasing some Serge modules I moved on and only came back to the spreadsheet when I needed to look up detail on a particular function block. 

And that's actually my main motivation for migrating these module descriptions to this blog: so that I can view them on my phone while standing in front of my Serge, rather than walking back and forth to my laptop.

Most of the module descriptions here are culled from 1982/83 Serge catalogs, and while the wording can be a bit stilted at times, the descriptions are still quite informative. There are a few nods to the Carbon111 site in cases where there are no catalog descriptions for certain modules. I don't claim any ownership of that information. I simply pulled it together from various places for my own purposes and wanted to make it available to others.

This repository is by no means comprehensive. Suggestions or additions are welcome: you can nudge me in the comments section. I can't promise I'll keep this blog on the bleeding edge of Serge esoterica, but I'll do my best to keep it reasonably up to date.

Additionally, when I'm able to make time for it, I'll add my own module walkthroughs.

Interested in ordering Serge? Contact Rex Probe at Sound Transform Systems in Hartland, WI by phone at (262) 367-3030.